Não conhecido detalhes sobre Moto Clube

Não conhecido detalhes sobre Moto Clube

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First released in 1973, the groundbreaking album sold 45 million copies and broke the record for the longest run on the album chart after nearly a decade and a half at or near the top. Women rock out

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Influential African American blues singer, songwriter, and vaudeville entertainer Trixie Smith recorded music on so-called "race records," which allowed content that would never have been tolerated on mainstream white records.

Rock music had suffered a steep slide on the Billboard charts by 1998, and nu metal—a genre that had been brewing since the 1980s—stepped in to fill the void.

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That year, giants of the industry came together to form the Rock & Roll Hall of Fame Foundation and began working on plans for a museum. Their vision would come to fruition a dozen years later.

Since the term "rock" started being used in preference to "rock and roll" from the late-1960s, it has usually been contrasted with pop music, with which it has shared many characteristics, but from which it is often distanced by an emphasis on musicianship, live performance, and a focus on serious and progressive themes as part of an ideology of authenticity that is frequently combined with an awareness of the genre's history and development.

The phrase "rocking and rolling" originally described the movement of a ship on the ocean,[16] but by the early 20th century was used both to describe the spiritual fervor of black church rituals[17] and as a sexual analogy. A retired Welsh seaman named William Fender can be heard singing the phrase "rock and roll" when describing a sexual encounter in his performance of the traditional song "The Baffled Knight" to the folklorist James Madison Carpenter in the early 1930s, which he would have learned at sea in the 1800s; the recording can be heard on the Vaughan Williams Memorial Library website.[18]

In 1955, 65 years after it Moto Clube was first heard, "Wop bop a loo bop a lop bom bom!" is still instantly recognizable as the refrain from "Tutti Frutti," Little Richard's first big hit.

The incoming flood of culture and talent from across the pond is known as the British Invasion. Townshend destroys on stage

It is certainly arguable that by the end of the 20th century rock was the world’s dominant form of popular music. Originating in the United States in the 1950s, it spread to other English-speaking countries and across Europe in the ’60s, and by the ’90s its impact was obvious globally (if in many different local guises). Rock’s commercial importance was by then reflected in the organization of the multinational recording industry, in the sales racks of international record retailers, and in the playlist policies of music radio and television.

In the 1950s, television cornered the market on dramatic programming and made radio the realm of music—but three decades later, TV took music back. When MTV debuted at 12:01 a.

If other kinds of music—classical, jazz, easy listening, country, folk, etc.—are marketed as minority interests, rock defines the musical mainstream. And so over the last half of the 20th century it became the most até mesmo of musical labels—everything can be “rocked”—and in consequence the hardest to define. To answer the question, What is rock?, one first has to understand where it came from and what made it possible. And to understand rock’s cultural significance, one has to understand how it works socially as well as musically.

On Aug. 16, 1974, the Ramones first took the stage at CBGB, a dive in Manhattan's East Village that had become the beating heart of the New York City rock scene. Dressed in motorcycle leather jackets, the Ramones came to define punk rock, a loud, brash, rebellious sound defined by short, intense songs with simple beats and few chords.